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In the annals of history, some luminaries fade into obscurity despite their remarkable contributions. One such figure is Pandit Lachhi Ram “Saroor,” a Kashmiri-origin poet who carved a niche for himself in the literary circles of mainland India in the mid-eighteenth century. Once celebrated, he is now largely forgotten, with only a few surviving accounts of his life—chief among them a write-up published in the September 1905 edition of Kashmir Darpan, a magazine from Allahabad. This rare piece, preserved by Kashmir Rechords, sheds light on Saroor’s journey, struggles and literary prowess.

A Poet’s Journey from Kashmir to Awadh

Around 1755, Pandit Lachhi Ram Saroor left his homeland in search of intellectual nourishment and recognition. His destination was Awadh, a flourishing cultural hub where Persian poetry thrived under the patronage of the ruling elite. His migration coincided with the twilight of Nawab Shuja-ud-Daula’s reign and the early governance of Asaf-ud-Daula.

In Awadh, Saroor found a literary refuge in the Kandhari publications, a significant publishing house of the time. The Kandharis, believed to be early Kashmiri migrants, provided a platform for Kashmiri poets and scholars. Among them was Pandit Zinda Ram, another Kashmiri who served as a scribe before rising to the role of Chief Manager. Zinda Ram’s collaboration with Saroor underlined the influential role Kashmiris played in shaping Awadh’s literary scene.

A Unique Bond and Poetic Inspiration

A defining aspect of Saroor’s life was his deep and affectionate relationship with Habibullah Khan, a fellow Kashmiri and managerial figure at the Kandhari publications. Their bond went beyond professional camaraderie, evolving into a personal and romantic connection that deeply influenced Saroor’s poetry. Many of his verses extolled Habibullah Khan’s beauty and charm, encapsulating themes of admiration and longing.

Exile and Satirical Verses

Saroor’s stay in Awadh was not without challenges. When political intrigues turned the Nawab against Zinda Ram, both he and Saroor were forced into exile. In a show of solidarity, Saroor accompanied Zinda Ram to Indore, seeking patronage under Maharaja Holkar. Although they were initially welcomed, palace politics prevented their full integration into Holkar’s court. Disillusioned, Zinda Ram returned to Awadh, while Saroor, in his poetic defiance, satirized Maharaja Holkar’s one-eyed blindness in his verses.

Legacy in Persian Poetry

Despite his struggles, Lachhi Ram Saroor’s poetic legacy endures through his Diwan (collection of poems), a testament to his mastery of the Persian ghazal form. His handwritten manuscripts, treasured by generations, were authenticated by Kashmir Darpan in 1905. His poetry, influenced by the style of the celebrated Persian poet Shirazi, navigates themes of love, beauty, and longing. His collection comprises nearly a hundred ghazals, meticulously crafted with refined Radeef (refrains), along with a Masnavi and a Qaseeda dedicated to Habibullah Khan.

A Kashmiri in Exile

Through his travels and hardships, Saroor remained deeply connected to his Kashmiri heritage. Unlike many poets of his time who sought wealth, he never commercialized his Masnavis. He continued to wear the traditional Pheran and adorned his distinctive Kashmiri turban, even as it became soiled with time—a silent yet powerful testament to his unwavering roots.

A Legacy Overlooked

The story of Lachhi Ram Saroor, as preserved in Kashmir Darpan, is more than just a chronicle of a poet’s journey. It is a narrative of Kashmir’s cultural imprint on the Indian literary landscape. His devotion to poetry, his emotional depth and his steadfast adherence to his roots reflect the resilience of the Kashmiri diaspora and their lasting contributions to the artistic heritage of India.

Though his name may have faded from popular memory, Saroor’s verses and legacy endure, awaiting rediscovery by those who cherish the literary and cultural heritage of Kashmir.