Kashmir Rechords Exclusive
In October 1833, a young Kashmiri traveller entered Ghazni. Operating as a brilliant Persian scholar and covert intelligence operative for the British, he was barely in his twenties when he ventured into one of the most turbulent regions of nineteenth-century Asia—observing rulers, armies, and political intrigues with a confidence unusual for an Indian of his time.
Barely in his twenties, he was already...
(Kashmir Rechords' Archival Report)
The story of the Kashmiri Pandit exodus is usually told through the night of departure—the fear, the abandoned homes and the uncertain journey out of the Valley. But what happened after the migrants reached Jammu in 1990 is another story of suffering, struggle and survival that is slowly disappearing from collective memory.
The newspaper clippings preserved by Kashmir Rechords offer a...
n the early 1950s, Kashmir became the unlikely birthplace of a landmark in Indian colour cinema. Ezra Mir’s Pamposh, shot around Dal Lake in 1951–52, was India’s first colour feature domestically produced and processed after Independence. It travelled to Cannes in 1954, but the film itself has since vanished. Today, rare photographs, including an exclusive 1953 Blitz image preserved by Kashmir Rechords, and archival material documented by SAGE researchers offer tantalising glimpses of a lost cinematic Kashmir.
By: Kashmir Rechords Editorial Desk
A new storm is sweeping through Jammu and Kashmir’s literary and cultural circles. The spark? A centuries-old question: Where lies...