Use of Dogri in Medieval Era

( Kashmir Rechords Exclusive in connection with International Mother Language Day)

Even as Dogri was included in the Eighth Schedule on December 23, 2003 after a lot of struggle, the fact is that Dogri language and script had been in use as a literary vehicle since the later mediaeval centuries.

The territories presently occupied by the Dogras and their akin people who were passionate about their art, culture and language, have been inhabited by people at least from the early centuries of the Christian era. They left behind traces of art and architecture in stone and stucco and in sculptured material scattered all over the hills from Kangra to the Jehlum. Some of the stone pieces belonging to middle ages, and to much earlier centuries in the case of Chamba, bear inscriptions in Sanskrit, Sharda, conch-shell, and Takari scripts which reveal the prevalence of some literary activity in the Dogra hills much before the Muslim inroads.

Amir Khusrau, a fifteenth century poet-scholar mentions the language of the Dugar in the list of dialects spoken in Northern India. That Dogri in Takari or Landa script had become a vehicle of literary compositions at least as early as the sixteenth century, is amply borne out by inscriptions on Pahari paintings of that century.

Vehicle of Official, Private Correspondence

In his book “Introduction To The History and Culture of the Dogras’’, Dr Sukhdev Singh Charak, an eminent Scholar and Author mentions that during 17th and 18^th centuries, Dogri  was in extensive use as a vehicle of official and private correspondence and record. A number of official Pattas and agreements have been found in Takari or Dogri script. For instance, Dr Charak quotes a Patta written out by Mian Bhau Singh, the younger son of Raja Jagat Singh of Nurpur, assigning ‘Purohatai’ to one Ganga Purohit of Haridwar. This reads like this:

As per Dr Charak’s book, Kings of the Dugar used to correspond with each other in Dogri and contracted long agreements and treaties in the same language. A number of such letters and treaties exchanged between the rulers of Jammu, Basohli, Jasrota, Bhadarwa, Nurpur, Chamba and Kangra have been discovered.  This clearly proves that Dogri language and script had been in use as a literary vehicle since the later mediaeval centuries. “A large number of folk songs and ballads (bars) have come down to us from the middle centuries. But it is strange that the Dogra people to the East of the Ravi did not show much literary activity, nor did they produce any Dogri literature in the present time’’, Dr Charak laments. He, however, makes a mention of Chamba area where Takari script was reformed to include vowel signs and the Dogri or Chamiali was written in that script during the nineteenth century. Contrary to it, in the Dogra territories to the west of the Ravi, a brisk literary activity was clearly visible. A court poet of Ranjit Dev, named Kavi Dev Datt had left behind some Dogri compositions as well as ballads in Bhasha and some works in Sanskrit. His Bhasha and Sanskrit works included Brijraj Panchasike, Datt Sangrah, Bhupat Viyog, Amrit Viyog and Kamal Nain Satotra. He composed his `Krishna Mahima Stotara’ in the reign of Brijraj Dev.

Another literary luminary of the period of Ranjit Dev’s successors and Raja Gulab Singh was the Sanskrit poet-scholar Ganga Ram. A Dogri folk lyric ‘Kandia Barna is attributed to him. Pandit Kaka Ram Shastri kept the tradition of compositions in Sanskrit and Bhasha alive, all it was taken up by the scholars of Maharaja Ranbir Singh’s reign. Although much of the official work was done in Persian during Gulab Singh’s reign but Dogri continued to be the medium of private correspondence and commercial accounts. Some fresh ballads in Dogri, according to the book, were composed during this period, which were woven around the Dogra heroes like Mian Dido, Wazir Ram Singh, Raja Dhian Singh, Zorawar Singh and others.

Literary works under Maharaja Ranbir Singh

While Nurpur, Chamba and Guler presented a few historical works in vernaculars, like Dalipranjani, the Jammu region saw a lively and rich literary activity under the patronage of Maharaja Ranbir Singh when hundreds of manuscripts in Sanskrit, Persian, Hindi and Arabic were collected and translated into Dogri and other languages for the benefit of all communities. Dogri received particular attention of the monarch. Its script was reformed and books were printed in it both in litho and typographic systems. A large number of books on religion, law, philosophy and technical sciences were written or translated into Dogri. Vernacular journalism also saw its beginning during Ranbir Singh’s reign.

Modern Dogri Literature

Dr Charak says the modern Dogri literature is the product of twentieth century and the advent of the new era may be said to have ushered in with the popular songs of Lala Ramdhan and Pt. Hardatt who composed during the first quarter of the present century.  Pt. Hardatt’s songs, inspired by a passion for social reform, were printed and swayed the minds of the young generation with similar sentiments. A number of young poets started composing and writing in Dogri and a fresh stream of Dogri literature gushed forth. Many talented poets like Dinoo Bhai Pant, Parmanand Almast, Raghunath Singh Samyal, Ramnath Shastri, Kishan Smailpuri, Swami Brahma Nand and others enriched Dogri literature by their inspiring writings.

Decade of renaissance for Dogri

According to Dr Charak, the period from 1944 to about 1954 can be called a decade of renaissance for Dogri literature which made the Dogras conscious of their culture and their political rights. At the end of this decade it was finally decided to adopt Devanagari script for Dogri instead of the old Takari script popularised by Maharaja Ranbir Singh.

The Book on Dogras  makes a mention of  the middle of 1960s when a  younger generation of Dogra poets and writers sprang up with new aspirations and fresh modes. Several successful experimentalists wrote superb poetry, infused with ecstatic mysticism and rainbow fancy. Madhukar’s Dola Kun Thappia will ever remain an unrivalled composition from an inspired soul. Similarly, Ved Pal Deep’s “Uss Te hein Banjare Lok” is a composition of high water mark which could be attained by any talented Dogri poet. “His “Ghalibite utterances, his sincerity of diction narration of bitter truths of life blended with highly poetic imagery, will ever project him as the Ghalib of Dogri. He is the soul of ghazal as ghazal is his self’’, says Dr Charak.  He also praises Padma Sachdev’s innocent reminiscences of the past which touches every heart, “though she lacks much of poetic technique’’.   For Dr Charak, Narsing Dev Jamwal, the poet, artist, novelist, possesses a variegated personality, which presents a rare phenomenon in our hills. Charak’s book, written in 1979, further makes a mention of   Bandhu Sharma, Tara Smailpuri, Ved Rahi, Yash Sharma Abrol, and Ram Lal Sharma as outstanding poets. He quotes Dr. Karan Singh’s book Shadow and Sunlight, containing English and Hindi translation and notations of tunes of some famous folk songs of the Dogra region, as a noble experiment in the field.

In this decade, all goners of modern literature were developed. Dogri theatre was evolved and plays like Namun Garn, Sarpanch and Alhar Goli Bir Sipahi were successfully staged. Fiction writing was also tried successfully in Dogri and it started with the publication of Bhagwat Prasad Sathe’s collection of short stories, entitled Pahala Phull. Short stories and novels have been written by Ved Rahi, Narendra Khajuria, Bandhu Sharma, Madan Mohan Sharma, R. K. Abrol, Om Goswami, Chanchal Sharma and Narsing Dev .Prose writing in various forms have also been cultivated, thereby enriching Dogri literature in various ways. Dogri magazines like Nami Chetna, Sheeraza, Phulwari and Hamara Sahitya    appeared from time to time.

The attainments of the Dogras in the field of art are, however, more spectacular. While Dogri literature had not been able to go out of regional popularity, Dogra painting won worldwide approbation. Kashmir Rechords will shortly bring out a detailed write-up on Dogra paintings.

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More Publications of Dr S S Charak